A reflection on Hidden Depth, my May 2019 solo exhibition at Bryant Street Gallery in Palo Alto, and what geometric abstraction, constraint, and sustained looking meant to my practice at the time.
A personal reflection on visiting the Sanctuary of Dom Bosco in Brasília—and what it means to stand inside a space defined entirely by blue.
Richard Diebenkorn's Notes to Myself, found among his papers after his death in 1993, remain some of the most honest and useful words ever written about the creative process in abstract painting. Here's what they mean to my practice.
How studying Josef Albers' color theory, twice and in two different academic contexts, permanently changed the way I see, build, and teach color.
As an artist whose work has been exhibited in museums and represented by respected galleries, I’ve seen how a painting can transform a space, spark conversation, and even become an investment. First-time collectors often wonder whether a piece will “fit” their home or lifestyle, but the truth is: trust your instincts.
What made this exhibition particularly meaningful was the caliber of its juror: Marcela Guerrero, Assistant Curator at the Whitney Museum of American Art. Guerrero's curatorial practice centers on expanding the canon of American art, with a focus on underrepresented artists and the expressive power of color and abstraction.
A personal reflection on the Hilma af Klint exhibition at the Guggenheim — on the presence of her abstract paintings, the architecture of one of the world’s great museums, and what her conviction as an artist means to my own practice.